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1.
  • Hellström, Björn, et al. (författare)
  • Modelling the shopping soundscape
  • 2011
  • Ingår i: Journal of Sonic Studies. - 2212-6252. ; 1
  • Tidskriftsartikel (refereegranskat)abstract
    • This article’s pivotal theme is: “How to compose a site-specific sound-art installation for a commercial space in order to improve conditions, while taking perceptual, social, aesthetical, temporal and spatial criteria into account”The interdisciplinary, art-based research approach is derived from the concept of acousmatics, i.e. the process of apprehending any sound, the source of which is invisible. Acousmatic perception concerns the everyday identification process; when lacking visual contact with the sound source, we automatically seek references, such as social (what produces the sound and what is my relation to it?), aesthetical, spatial and temporal (e.g. orientation and demarcation). The acousmatic concept identifies phenomena based on individually, culturally and spatially conditioned experiences.Today, a shopping culture dominates urban space. Indoor malls expose us to all types of acousmatically perceived sounds: jingles, signals, music and muzak from public loudspeakers, mobile devices, etc. In this respect, one could claim that the soundscape of the shopping culture embodies an acousmatic environment.In 2009, the research and sound-art group Urban Sound Institute (USIT) created a permanent sound installation in a shopping mall (Gallerian) located in downtown Stockholm. This installation serves as a case study for the present paper. The artistic assignment involved the creation of a meeting place without material devices as well as the enhancement of the overall atmosphere. The research objective was to elucidate different qualities of the sound installation in regard to the acousmatics of the shopping mall, promoting discussions on the articulation of sound-space configurations in relation to time and site-specific context, issues on musical-architectural qualities as well as objective, subjective and inter-subjective interrelationships between the experience of the sound-art installation and the experience of the shopping mall soundscape. Other applied, interrelated concepts are metabolic environment and masking- and cutting effects.
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2.
  • Kristoffersson, Sara, 1972- (författare)
  • Lyx är inte allt som glimmar
  • 2015
  • Ingår i: Svenska Dagbladet. - Stockholm. - 1101-2412. ; :2 augusti
  • Recension (populärvet., debatt m.m.)abstract
    • Det vi kallar lyx sätter guldkant på tillvaron, men är också ett statement och en form av kommunikation - lyxen får sällan verklig mening om den inte syns.
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3.
  • Hellström, Björn, 1959-, et al. (författare)
  • Room acoustic design in open-plan offices
  • 2009
  • Ingår i: Proceedings of the Institute of Acoustics Volume 31 Pt.3. - St. Albans, United Kingdom : Institute of Acoustics. - 9781615676804 ; s. 2954-2959
  • Konferensbidrag (refereegranskat)abstract
    • In a Nordic cooperation project the acoustical conditions in open-plan offices was investigated. Measurements have been carried out in five open plan offices accompanied with an inquiry gathering the subjective judgments by the staff. A program for the acoustical measurements was designed specifying how to perform the measurements and which type of parameters to measure. The acoustical parameters included in the measurements are Reverberation time T20, Early Decay Time (EDT), Clarity (C50), Speech transmission index (STI), Speech intelligibility index (SII), Privacy Index (PI), Rate of spatial decay of sound pressure levels per distance doubling (DL2 ), Excess of sound pressure level with respect to a reference curve (DLf), background noise levels in occupied and unoccupied offices. In two of the offices are furbishment program was carried out. Measurements as well as questionnaire were accomplished after refurbishment. The effect on room acoustic parameters DL2 and DLf and on subjective judgments by the staff will be presented in this paper.
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4.
  • Lindell, Leif (författare)
  • Manlighet
  • 2005
  • Konstnärligt arbete (populärvet., debatt m.m.)abstract
    • Manlighet redovisas med två delar, den ena består av fem intervjuer. Tre av personerna som är yrkesverksamma inom behandling av män som misshandlar eller förgriper sig på kvinnor och barn. Den fjärde är mansforskare som är docent i pedagogik och den femte är sociolog, som bland annat arbetar för Brottsförebyggande rådet.Den andra delen består av illustrerade berättelser som berör bland annat sorg och erfarenheter av våld. Dessa går under titeln Om jag säger vad jag känner, kommer ni då fortfarande tycka om mig? Detta är ett symboliskt försök att agera preventiv mot eventuella egna dåd. Om män tillät sig att uttrycka sina svagheter och känslor av sorg, rädsla, hjälplöshet, osäkerhet, litenhet, otrygghet, saknad. Skulle det inte behöva ta uttryck i våld.Målsättningen var att göra en konstnärlig gestaltning om orsakerna till mäns sexuella våld. Med projektet ville jag bidra till den fortsatta debatten om mäns våld genom att undersöka och problematisera ämnet. Tanken var från början att jobba vidare med de metoder som jag arbetade med i ett tidigare projekt kallat FemDefence där jag använde mig av produktdesign och marknadsföringens språk.Upplägget för Manlighetsprojektet var uppdelat i research, gestaltning och installation. Researcharbetet kom att ta betydligt längre tid än vad jag hade förväntat mig. Under researchen läste jag olika slags litteratur, så som böcker, rapporter, utredningar, artiklar om män, manlighet och våld.Redan från
5.
  • Nilsson, Erling, et al. (författare)
  • Acoustic design of open-plan offices
  • 2010
  • Rapport (övrigt vetenskapligt)abstract
    • The acoustic conditions in open-plan offices were investigated in a Nordic cooperation project. Measurements were carried out in five open-plan offices along with a questionnaire to gather the staff’s subjective judgments.A programme for the acoustic measurements was drawn up, specifying how to perform the measurements and which type of parameters to measure.The acoustic parameters included are Reverberation time T20, Early decay time (EDT), Clarity (C50), Speech transmission index (STI), Speech intelligibility index (SII), Privacy index (PI), Rate of spatial decay of sound pressure levels per distance doubling (DL2 ), Excess of sound pressure level with respect to a reference curve (DLf), and background noise levels in occupied and unoccupied offices.A refurbishment programme was carried out in two of the offices. Measurements were performed after refurbishment and a questionnaire was completed. It is concluded that parameters relating to sound propagation, such as DL2 and DLf, are appropriate for the acoustic evaluation of open-plan spaces.A refurbishment programme was carried out in two open-plan offices. It has been shown that DL2 and DLf are sensitive to the acoustic treatment carried out and that they also reflect an improvement in the subjective judgment as regards the acoustic environment in general. Moreover, these parameters can be converted into a (comfort) radius indicating the distance for achievement of a certain reduction of the sound level from a sound source.This application could serve as a practical tool for the acoustic planning of open-plan offices.
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8.
  • Arnkil, Harald, et al. (författare)
  • PERCIFAL: Visual analysis of space, light and colour
  • 2011
  • Ingår i: AIC 2011, Interaction of Colour & Light in the Arts and Sciences, Midterm Meeting of the International Colour Association, Zurich, Switzerland, 7–10 June 2011: Conference Proceedings, CD. - Zurich : pro/colore, 2011. ; s. 229-232
  • Konferensbidrag (refereegranskat)abstract
    • This paper addresses the need for better and more accurate methods of recording and analyzing the visual experience of architectural space. PERCIFAL (Perceptive Spatial Analysis of Colour and Light) is an ongoing project that aims at developing a method of analysis that can capture coherent spatial experiences of colour and light. The starting point for PERCIFAL is a method of visual evaluation of space and light, developed by Professor Anders Liljefors at the former department of architectural lighting at KTH Architecture. PERCIFAL is based on direct visual observations and the recording of these observations by verbal-semantic descriptions using a questionnaire. It has been developed primarily as an educational tool, but we see in it potential for a design tool for professionals as well as for an analytical method for research. The first test results, conducted in Sweden, Norway and Finland, show that the method has significant pedagogical merits and that it allows interesting comparisons between physical measurements and visual experiences of space, light and colour. 
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